Post by rhinomilk on Aug 23, 2011 13:28:20 GMT -8
what an awesome lineup!
September 17th - October 8th, 2011
Opening Reception:
Saturday, September 17th, 2011 / 8-11pm
Valet Parking Provided
FEATURING FRED BRATHWAITE AKA FAB 5 FREDDY, LEE QUINONES AND LEONARD MCGURR AKA FUTURA 2000 WITH GUEST CURATOR PATTI ASTOR
Subliminal Projects is proud to present its opening fall show 3 Kings, on view September 17 through October 8, 2011. In classic NYC Subway Graffiti lore, a "King" is one who has achieved the most recognition for not only excellence in style but for the mark they have made on the culture. For over thirty years these "3 Kings" have been at the top of the game. Their history-making rise to international prominence from the subway tunnels of New York City was recently chronicled in MOCA's "Art In The Streets" exhibition. At Subliminal Projects they will be presenting their contemporary work created exclusively for this exhibition along with classic pieces. Please join us at a reception for the artists on Saturday, September 17, from 8-11p.m.
September 17th - October 8th, 2011
Opening Reception:
Saturday, September 17th, 2011 / 8-11pm
Valet Parking Provided
FEATURING FRED BRATHWAITE AKA FAB 5 FREDDY, LEE QUINONES AND LEONARD MCGURR AKA FUTURA 2000 WITH GUEST CURATOR PATTI ASTOR
Subliminal Projects is proud to present its opening fall show 3 Kings, on view September 17 through October 8, 2011. In classic NYC Subway Graffiti lore, a "King" is one who has achieved the most recognition for not only excellence in style but for the mark they have made on the culture. For over thirty years these "3 Kings" have been at the top of the game. Their history-making rise to international prominence from the subway tunnels of New York City was recently chronicled in MOCA's "Art In The Streets" exhibition. At Subliminal Projects they will be presenting their contemporary work created exclusively for this exhibition along with classic pieces. Please join us at a reception for the artists on Saturday, September 17, from 8-11p.m.
