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Post by outerborough on Jun 15, 2016 7:20:10 GMT -8
bump
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Post by outerborough on Jun 15, 2016 7:17:25 GMT -8
Bump.
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Post by outerborough on Jan 4, 2016 7:31:39 GMT -8
Kaws is sold.
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Post by outerborough on Dec 24, 2015 7:20:55 GMT -8
Kaws print is on hold. Taking offers on the others.
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Post by outerborough on Dec 1, 2015 7:53:52 GMT -8
Letting go of a few great pieces that aren't up on my walls. Message me with any questions and offers. Thanks. running chum 2000 22" x 28" silkscreen print signed edition of 50 glimmering shadows box #3 2008 20" x 12" x 2" acrylic and silkscreen ink on wooden box unique this watch is worth a lot 2002 24" x 48" enamel on metal signed on verso unique foresight 2008 46" x 34" mixed media on canvas signed on verso unique
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Post by outerborough on Aug 18, 2015 7:57:21 GMT -8
Glimmering Shadows Box #3 Acquired from 2008 Lazarides show 20" x 12" x 2" Acrylic and silkscreen ink on wooden box Unique PM me with offers or questions. Thanks.
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Post by outerborough on Mar 31, 2015 11:48:41 GMT -8
Mono prints exist in the space between original painting and edition print.. Mono prints you can usually get a couple of impressions out of them.. Sometimes a few depending on the type of ink or paint. I love Monoprints! if you make multiple impressions of the same plate, without applying different paint/ink or changing the image, wouldn't the results no longer be considered monoprints?
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Post by outerborough on Mar 31, 2015 6:12:13 GMT -8
don't want to hijack scott's post, but queequeg's post brings up something i've been thinking about for a bit.
following the link qq provided takes you to the levy gallery's jonas wood inventory, which consists of two monoprints. in my experience, it seems that collectors focus on the "print" aspect of monoprints, and thus the works are often priced substantially lower than similarly sized works on paper. personally, i don't see much if any difference between a monoprint and a painting on paper.
anyone else have an opinion or thoughts on the subject?
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Post by outerborough on Feb 19, 2015 6:45:57 GMT -8
There are quite a few very successful artists who are just not art market darlings for whatever reasons but continue to have well received shows for years. All of this recent artrank bulls##t is putting way to much emphasis on equating success with auction results. totally agree with your overall point, although i'd say falls was an "art market darling," for a minute. and i think that is what is making certain collectors unhappy. they jumped on the train and it was chugging along for a while, but now it's not going the way they want it to go in terms of auction results.
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Post by outerborough on Feb 18, 2015 8:25:13 GMT -8
imo, young artists are under too much scrutiny right now, and are given little to no leeway to make mistakes and grow their practice and careers at a reasonable pace. instead, they're expected to race up the ladder within a few years or they're tossed off. falls from the start was all about high output and experimentation. that was fine for collectors when he was relatively unknown and they were scooping up his work for cheap. but now that his prices have reached a decent level, they want him to tighten up and curate, to "protect his career," which really means their investments. That´s a sharp analysis. Thank you! Do you think the collectors will get what they want from Falls? Will he tighten up and curate? Do we see signs for that? my money is on falls pretty much continuing to do what he's been doing.
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Post by outerborough on Feb 17, 2015 10:16:29 GMT -8
imo, young artists are under too much scrutiny right now, and are given little to no leeway to make mistakes and grow their practice and careers at a reasonable pace. instead, they're expected to race up the ladder within a few years or they're tossed off.
falls from the start was all about high output and experimentation. that was fine for collectors when he was relatively unknown and they were scooping up his work for cheap. but now that his prices have reached a decent level, they want him to tighten up and curate, to "protect his career," which really means their investments.
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Post by outerborough on Feb 17, 2015 8:01:26 GMT -8
pm sent
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Post by outerborough on Dec 1, 2014 6:20:55 GMT -8
A few small and medium original pieces that are looking for new homes. PM me with offers or questions. Thanks. Brendan Monroe "Dotted Words", 2005 7.5" x 9" framed Acrylic and collage on paper Evah Fan "Buried Alive", 2007 5.25" x 7.5" framed Acrylic on paper Richard Colman "Bear, Lion and a Man", 2007 11.25" x 7.5" Mixed media on paper Matt Leines Untitled (Face), 2007 5.5" x 5.5" unframed Mixed media on paper Matt Haber "The Coming Storm", 2006 22" x 22" Acrylic on wood
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Post by outerborough on Dec 1, 2014 6:10:56 GMT -8
Love those Auerbach prints. Her best, in my opinion.
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Post by outerborough on May 12, 2014 8:34:43 GMT -8
one great wasn't enough, will?
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Post by outerborough on Apr 4, 2014 11:19:43 GMT -8
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Post by outerborough on Mar 13, 2014 6:02:36 GMT -8
from the description, it sounds like the pages were printed and the cloth cover was airbrushed
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Post by outerborough on Feb 10, 2014 6:44:20 GMT -8
bump
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Post by outerborough on Feb 1, 2014 6:16:34 GMT -8
I prefer Auerbach's early text- and symbol-based work. I'd take this over a fold any day. how do forum member feel about these early original works? i'm curious, as they're so different from anything she's producing now, or for the past several years. cheers.
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Post by outerborough on Jan 23, 2014 17:20:00 GMT -8
Eric stopped his site a couple years ago.
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Post by outerborough on Jan 20, 2014 7:02:56 GMT -8
Sam Weber "Fuschia" 2007 Ink on Paper 19.5" x 26.5" Framed $2,800
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Post by outerborough on Nov 25, 2013 13:26:56 GMT -8
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Post by outerborough on Oct 24, 2013 5:20:49 GMT -8
looks like it, according to the past works shown on his gallery page and from this show from 2003. are you sure he's been doing that for 10 years now?Any links will be much appreciated.
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Post by outerborough on Oct 23, 2013 15:12:44 GMT -8
nylon sculptures are not new for suh. he's been doing that kind of work for 10 years or more. I don't know what to think about his new work.It's almost the same as Jannick Deslauriers, a Montreal based sculptor.She did her sewing sculpture since almost 5 years now.I bought a piece from her last show but it still at the gallery.I really love her work and I felt sad when I saw the new Do-Ho-Suh sculpture:( artmur.com/expositions/expositions-passees/2013-expositions/chantier/
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Post by outerborough on Aug 1, 2013 6:34:15 GMT -8
I didn't realize the historical significance of Crisco... I mean how much cheaper can it be? It's about 12x cheaper: CriscoKY
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