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Post by WillNyc on Jan 2, 2014 13:30:02 GMT -8
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Post by WillNyc on Mar 6, 2014 12:41:54 GMT -8
_-2014_-acrylic-and-airbrush-on-canvas_-36-x-36-in.91.44-x-91.jpg?1393448700) In a group show at Marlborough Chelsea with Peter Saul and Erik Parker |
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jacki
New Member
Posts: 26 
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Post by jacki on Sept 14, 2014 8:06:23 GMT -8
Something doesn't work in the art world, you know..
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Post by artladval on Sept 18, 2014 10:11:12 GMT -8
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Post by WillNyc on Sept 26, 2014 6:04:59 GMT -8
 Artist has a print release at the Moma PS1 book fair. |
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Post by artladval on Sept 28, 2014 10:16:07 GMT -8
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Post by artladval on Oct 9, 2014 9:55:47 GMT -8
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Post by docholiday on Dec 16, 2014 10:56:23 GMT -8
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Post by artladval on Jan 12, 2015 12:53:55 GMT -8
New works:   |
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zelah
New Member
Posts: 35
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Post by zelah on Jan 12, 2015 23:27:21 GMT -8
New works: The bottom piece is currently up at paddle 8 with a live bid at $20k. |
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Post by turnsintoashes on Jan 16, 2015 5:20:46 GMT -8
I'm looking forward to seeing her work at MOCAD next month. Her work reminds me of POSE's work, a little bit. (sans the graffiti influence)
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Post by artladval on Feb 4, 2015 13:43:42 GMT -8
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Post by wimbledongreen on Feb 8, 2015 14:14:43 GMT -8
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Post by artladval on Feb 11, 2015 11:48:33 GMT -8
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Post by funnyenough on Feb 11, 2015 12:52:03 GMT -8
The conversation about appropriation/plagiarism hasn't been settled. Jamian's appropriation doesn't seem like the "cool" appropriation of Prince, Charlesworth, or Levine. It might be more like Doeringer or Sturtevant except with more obscure references. instagram.com/imagetruths puts 2 images side by side. The discussion of race and all the interesting conceptual force, etc., comes directly from Bakshi, not Jamian. It isn't enough to talk about her work being "informed" by or "references" or is "influenced" by or "sourced." Jamian talks about wanting to do a book that lays out her "influences," but she'd probably have to pay some fees to use the images she puts in her paintings. |
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Post by artladval on Feb 12, 2015 14:27:46 GMT -8
The conversation about appropriation/plagiarism hasn't been settled. Jamian's appropriation doesn't seem like the "cool" appropriation of Prince, Charlesworth, or Levine. It might be more like Doeringer or Sturtevant except with more obscure references. instagram.com/imagetruths puts 2 images side by side. The discussion of race and all the interesting conceptual force, etc., comes directly from Bakshi, not Jamian. It isn't enough to talk about her work being "informed" by or "references" or is "influenced" by or "sourced." Jamian talks about wanting to do a book that lays out her "influences," but she'd probably have to pay some fees to use the images she puts in her paintings. @imagetruths is not as funny as: http://instagram.com/p/y75HhOs6zG |
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Post by queequeg on Feb 14, 2015 18:15:17 GMT -8
She's obviously incredibly talented ... although her work never really appealed to me that much ... and how much she's ripping off other artists it is just a little too close for comfort, hard to see the value in this now. I don't mind appropriation to a degree but this is just art for art's sake. It's almost pointless. Sturtevant was at least making a conceptual statement with her work although to me even that is a joke that got way too long in the tooth. How many copies of other artworks do you have to look at before you get bored? It reminds me of an incredibly talented guitarist, who can rip through scales and cover any song with style. But can't write an original song to save his life.
With the manipulation and exploitation going on in the hot young artist scene I guess I shouldn't be surprised by just how much her works have been fetching on paddle 8 but I thought it was more extreme than most. Let this be a lesson to all those flippers running up prices on these artists, it pays to vet your investments. But then again maybe all the flippers and manipulators will just ignore this and try to sweep it under the rug just like Jamian is trying to do.
Who knows maybe she'll redeem herself one day. But that ain't gonna happen till she changes her attitude.
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Post by ricosg11 on Apr 20, 2015 11:34:21 GMT -8
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Post by edwindair on Apr 20, 2015 12:04:16 GMT -8
got there early and got some decent pics... really cool show. The space is clearly too small for the works, which I think is intentional. Given the imagery and confined space it really makes for an anxious viewing experience (again, intentional imo). To me it was similar to an experience of channel surfing, searching for the perfect show to watch at a given time. The works keep your eyes darting back and forth in an effort to take in everything being presented. It'll take another visit, with more time to really dig into the work. A nice leap forward for Jamian showing she can nail it on any scale. Thanks for sharing these. i haven't been able to check out the show in person but from the photos ive seen i am a bit torn on the large scale works. something about it being this size comes off a bit as cheesy back drop stage design art. i think her style works for smaller pieces but these larger works seems to have the same content amount that her smaller works have but just blown up. just my opinion again and im sure viewing in person will be different. |
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Post by artladval on May 2, 2015 9:14:14 GMT -8
Video of Jamian's Cranbrook lecture:
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Post by artladval on Jun 30, 2015 15:32:43 GMT -8
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Post by uglyyoungin on Jul 1, 2015 1:55:50 GMT -8
Despite the controversy, I firmly believe that she is extremely talented and has a huge potential! She has a good taste in art  |
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Post by sleepboy on Sept 13, 2015 8:28:17 GMT -8
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Post by sleepboy on Jan 31, 2016 12:26:24 GMT -8
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Post by artladval on Mar 18, 2016 15:46:00 GMT -8
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