Post by roqlarue on Nov 3, 2009 14:53:52 GMT -8
John Brophy is an up and coming painter who has been flying under the radar a bit. He's located in Seattle currently, and I've sold everything I've ever had in by him. His very first solo show is opening at Roq La Rue November 13th (along with Brian Despain) so I thought I'd post up some older work here for him, and also a sneak peek at his new show, entitled "Saints and Angels".
From his artist statement:
"I’ve always been attracted to religious imagery of the 15th century Flemish Primitives . Their iconic, intimate compositions, the stoic expressions and understated gestures, the gracefulness of the forms, all rendered with a perfect balance of naiveté, and exquisite technical execution - all speak to me of the enduring power of beauty to transcend context. Though the original intent of these works was to use beauty to service church doctrine, over time I feel their aesthetic appeal has come to dominate the intended message. To me, these images go beyond their original functions as vehicles for propaganda. They exist, at least to me, solely as an iconic forms of beauty.
For this exhibition I chose to base my works on the idea of beauty as spiritual propaganda. That is, beauty as an instrument of persuasion. How does beauty influence the message? Can beauty subvert the message and overwhelm it? Can a subversive message ride in the shadow of beauty and avoid detection? The saints and angels in this show are attempts to illustrate these questions. "
His website is www.jbrophy.com
The Blue Baku (sold) oil on panel
Princess Minki Momo (sold) oil on panel
Barometric Front (sold) graphite on paper
Animism Regions (sold) oil on panel
Manji Madonna (from upcoming show) oil on panel
The First Days of Spring (from upcoming show) oil on panel
From his artist statement:
"I’ve always been attracted to religious imagery of the 15th century Flemish Primitives . Their iconic, intimate compositions, the stoic expressions and understated gestures, the gracefulness of the forms, all rendered with a perfect balance of naiveté, and exquisite technical execution - all speak to me of the enduring power of beauty to transcend context. Though the original intent of these works was to use beauty to service church doctrine, over time I feel their aesthetic appeal has come to dominate the intended message. To me, these images go beyond their original functions as vehicles for propaganda. They exist, at least to me, solely as an iconic forms of beauty.
For this exhibition I chose to base my works on the idea of beauty as spiritual propaganda. That is, beauty as an instrument of persuasion. How does beauty influence the message? Can beauty subvert the message and overwhelm it? Can a subversive message ride in the shadow of beauty and avoid detection? The saints and angels in this show are attempts to illustrate these questions. "
His website is www.jbrophy.com
The Blue Baku (sold) oil on panel
Princess Minki Momo (sold) oil on panel
Barometric Front (sold) graphite on paper
Animism Regions (sold) oil on panel
Manji Madonna (from upcoming show) oil on panel
The First Days of Spring (from upcoming show) oil on panel