|
|
Post by LeBasse Projects on Dec 9, 2008 15:15:28 GMT -8
|
|
|
|
Post by shelly on Dec 9, 2008 20:19:56 GMT -8
Is the edwin piece really how the colors look like? I notice when seeing on web the colors are more richer than in person. I think because he prints them out right?
|
|
|
|
Post by LeBasse Projects on Dec 9, 2008 20:27:59 GMT -8
Is the edwin piece really how the colors look like? I notice when seeing on web the colors are more richer than in person. I think because he prints them out right? Colors are pretty close. What you cant tell from the image is that the work has tremendous depth and 3-dimensionality to them. Edwin's process is pretty involved starting with a sketch, to a scan and slight digital coloring. Acetate transfers are printed and then iron transferred to a large sheet of vinyl. The back is then painted and colored. When it is flipped over, the vinyl hides all the brushwork and leaves us with a clear sheet. We frame all of his work in museum frames with plexi. I am sure I am missing something in there... They are quite stunning in person. One of the large pieces from his solo show was actually sent out to the Kyoto Art Museum in Japan, and we just sold a piece at Basel for a museum curator's personal collection...so you know Edwin is not messing around. |
|
|
|
Post by juggernut3 on Dec 10, 2008 21:17:53 GMT -8
Saw the Yoskay and Melissa's in person at Miami. They are beautiful and really big in size! I'm surprised that the Yoskay is still available.
I tend to enjoy paper pieces like these, cause they tend to be very detailed compared to other mediums.
|
|
