Post by joshualinergallery on Apr 13, 2012 12:29:10 GMT -8
Utilizing John Rajchman's notion of "operative formalism," Feodor Voronov (b. 1980, St. Petersburg) creates optical terrains that splinter and twist around the central image of a word. Voronov investigates the nature of repetition in both form and language by painting harlequin patterns that are at once organic and methodical - an analysis of the human experience that borders on familiar but is clearly unique. Voronov toys with the formal aesthetics of the written word, evaluating its psychological roots in symbolism à la Magritte, while also embellishing upon the intrinsic habit of mark-making in the vein of Cy Twombly.
Voronov received his MFA from Claremont University (CA) in 2008, and has participated in a number of exhibitions throughout the Southern California region. The recipient of the 2008 Hernandez Fellowship, and the 2007 Claremont Graduate University Fellowship, he lives and works in Los Angeles.
Kinetic
Acrylic, spray paint, marker, ball-point pen on canvas
2012
30.5 x 32 in.
Apathy
Acrylic, marker, ball-point pen on canvas
2012
29 x 30.5 inches
Anagram
Acrylic, marker, ball-point pen on canvas
2012
31 x 37 in.
Voronov received his MFA from Claremont University (CA) in 2008, and has participated in a number of exhibitions throughout the Southern California region. The recipient of the 2008 Hernandez Fellowship, and the 2007 Claremont Graduate University Fellowship, he lives and works in Los Angeles.
Kinetic
Acrylic, spray paint, marker, ball-point pen on canvas
2012
30.5 x 32 in.
Apathy
Acrylic, marker, ball-point pen on canvas
2012
29 x 30.5 inches
Anagram
Acrylic, marker, ball-point pen on canvas
2012
31 x 37 in.